A lonely young woman mistakenly receives a severed thumb in the mail. She makes it her life’s obsession to return it to the hand it once belonged to, putting her on a collision course that will upend her world forever.

Four female cons who have formed a band in prison get a chance to play at a police ball outside the walls. They take the chance to escape. Being on the run from the law they even make it to sell their music and become famous outlaws.

1981. USA. Directed by Joey Ahlbum. 16mm. 7 min.

Young history buff Kevin can scarcely believe it when six dwarfs emerge from his closet one night. Former employees of the Supreme Being, they've purloined a map charting all of the holes in the fabric of time and are using it to steal treasures from different historical eras. Taking Kevin with them, they variously drop in on Napoleon, Robin Hood and King Agamemnon before the Supreme Being catches up with them.

A youth drama set in the Japanese alps. Two robbers, chased by the police, escape from the youths of a university mountain club who are trapped in a lodge during a blizzard. This ski action romp has the tempo of a musical, and Okamoto Kihachi's style is on full display. Tsuruta Koji makes a special appearance as a senior member of the mountain club.

All four tigers of Siam are in the same situation, which is being arrested by the authorities. Police Lieutenant Colonel Rat Burapapayak, a crime suppression officer nicknamed 'Sergeant Raj Kao Chiwit', is ready to do anything to bring all four of them down.

The life of an advertiser does not look successful: the work brings income and satisfaction, the beloved woman agreed to get married. But everything collapses in one moment: Kostya's father dies, and on his hands is not only a family business – a manufacturer of women's shoes, but also helpless relatives who are used to the fact that their problems are solved by a man. Kostya is clearly not suitable for the role of "head of the family": he does not devote enough time to his fiancee Sonya and daughter marusa, he does not communicate much with his mother, and even less with his daughter from his first marriage. He is not interested in the family business and does not delve into the business of the company. But the tragedy forces him to grow up: Kostya no longer goes with the flow, but finds the strength to stand at the helm of the company and be a support for all his women.